Studio Una Tumblr
This is the tumblr of studio una from hamburg! We are showing sketches, ideas, unfinished work and other output of our creative process here. Visit us on www.studiouna.de!
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Studio Una designed this Poster for an Exhibition about “Aviation” at Pinneberg Museum.
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Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
Studio Una made this first regular issue of the BVL Corporate Publishing Magazine. The Magazine is bound in “Schweizer Broschur” We made the design concept and the layout as well as illustrations for this issue.
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«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
«Stets gegen Krebs» is a cha­rity con­cert for the Ger­man Can­cer Society (Deut­sche Krebs­hilfe). Studio Una from Hamburg deve­l­o­ped a small and sim­plistic iden­tity that con­sists of a striking, left-leaning font and a vibrant fle­xi­ble color sys­tem. The focal point of the design is a mini­ma­listic logo which refers to the design scheme of the whole identity.
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Early Viscvle Idea
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Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
Studio Una from Hamburg was com­mis­sio­ned to deve­lop a visual iden­tity for the small string orches­tra „Con­certo Elms­horn“. They chose a font that is both uni­que and highly reco­gniz­able and that can be used for striking head­lines. The ver­ti­cal logo is desi­gned for opti­mal reco­gni­tion and use of space on print pie­ces. It can be redu­ced to a signet that con­sists of the initi­als of the orchestra.
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The UCI Velo­thon majors are a world­wide cycling series that takes place in major cities. Stu­dio Una from Hamburg deve­l­o­ped the umbrella brand for the indi­vi­dual events which com­mu­ni­ca­tes the charm of a glo­bal sporting event as well as plays with fami­liar ele­ments from cycling. The logo is a com­bi­na­tion of the five con­ti­nents rep­re­sen­ted by five colo­red rings, the word mark of the inter­na­tio­nal governing body of cycling, the UCI and the Velo­thon logo. The colo­red rings rep­re­sen­ting the con­ti­nents are a dyna­mic and fle­xi­ble design com­po­nent that reoc­cur­ring across various applications.
The UCI Velo­thon majors are a world­wide cycling series that takes place in major cities. Stu­dio Una from Hamburg deve­l­o­ped the umbrella brand for the indi­vi­dual events which com­mu­ni­ca­tes the charm of a glo­bal sporting event as well as plays with fami­liar ele­ments from cycling. The logo is a com­bi­na­tion of the five con­ti­nents rep­re­sen­ted by five colo­red rings, the word mark of the inter­na­tio­nal governing body of cycling, the UCI and the Velo­thon logo. The colo­red rings rep­re­sen­ting the con­ti­nents are a dyna­mic and fle­xi­ble design com­po­nent that reoc­cur­ring across various applications.
The UCI Velo­thon majors are a world­wide cycling series that takes place in major cities. Stu­dio Una from Hamburg deve­l­o­ped the umbrella brand for the indi­vi­dual events which com­mu­ni­ca­tes the charm of a glo­bal sporting event as well as plays with fami­liar ele­ments from cycling. The logo is a com­bi­na­tion of the five con­ti­nents rep­re­sen­ted by five colo­red rings, the word mark of the inter­na­tio­nal governing body of cycling, the UCI and the Velo­thon logo. The colo­red rings rep­re­sen­ting the con­ti­nents are a dyna­mic and fle­xi­ble design com­po­nent that reoc­cur­ring across various applications.
The UCI Velo­thon majors are a world­wide cycling series that takes place in major cities. Stu­dio Una from Hamburg deve­l­o­ped the umbrella brand for the indi­vi­dual events which com­mu­ni­ca­tes the charm of a glo­bal sporting event as well as plays with fami­liar ele­ments from cycling. The logo is a com­bi­na­tion of the five con­ti­nents rep­re­sen­ted by five colo­red rings, the word mark of the inter­na­tio­nal governing body of cycling, the UCI and the Velo­thon logo. The colo­red rings rep­re­sen­ting the con­ti­nents are a dyna­mic and fle­xi­ble design com­po­nent that reoc­cur­ring across various applications.
The UCI Velo­thon majors are a world­wide cycling series that takes place in major cities. Stu­dio Una from Hamburg deve­l­o­ped the umbrella brand for the indi­vi­dual events which com­mu­ni­ca­tes the charm of a glo­bal sporting event as well as plays with fami­liar ele­ments from cycling. The logo is a com­bi­na­tion of the five con­ti­nents rep­re­sen­ted by five colo­red rings, the word mark of the inter­na­tio­nal governing body of cycling, the UCI and the Velo­thon logo. The colo­red rings rep­re­sen­ting the con­ti­nents are a dyna­mic and fle­xi­ble design com­po­nent that reoc­cur­ring across various applications.
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Circle Pattern Test
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Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
Gagel is a local artist from Pin­ne­berg who  - in her own words — «ans­wers ques­ti­ons that she her­self has rai­sed with her art». For the exhi­bit «Halb Weg – Ganz da», she docu­men­ted the archi­tec­tu­ral change in Pin­ne­berg 20 years ago. In 2012, she retur­ned to the same loca­ti­ons to docu­ment the chan­ges again. Studio Una from Hamburg desi­gned the pos­ter art­work, leaf­lets as well as a cata­log for the exhi­bit at Pin­ne­berg Museum.
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Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
Comm-Press is a Hamburg-based web deve­l­oper spe­cia­li­zing in the CMS Dru­pal. Studio Una from Hamburg deve­l­o­ped Comm-Press’ visual iden­tity and crea­ted the agency’s online appearance. Studio Una trans­fer­red the idea of Drupal’s modu­la­rity to the design con­cept and desi­gned two fonts which build the base of the cor­po­rate iden­tity. The web­site is desi­gned for both cust­o­mers and the Dru­pal com­mu­nity. It com­bi­nes the agency’s port­fo­lio with social media activi­ties, blog posts and agency rela­ted infor­ma­tion on the home page.
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Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.
Swim is a brand desi­gned for swimmers by Studio Una from Hamburg. The goal was to create a fresh and ener­ge­tic life­style brand which finds its­elf in a mini­ma­listic and pure bran­ding con­cept. After the visual crea­tion of the brand, an exten­sive news web­site was laun­ched. The second issue of the spe­cial inte­rest maga­zine «Swim» was alre­ady publis­hed in 2013. The logo­type was set in a roun­ded font and per­fectly com­ple­ments the bold cut of the font to gene­rate con­tras­tive headlines.